They must also have had the means to get hold of some pretty expensive equipment, but no one knows exactly how they did it. The people who did this must have known quite a lot about electronics and microwave links in order to intercept the legitimate broadcast programmes. You can see one here, along with a possible translation of his message. Plenty of people were videoing Dr Who, so there are recordings of it. At this point, the broadcasters themselves ended the transmission and Doctor Who reappeared. Then he takes his trousers down and a woman comes in and spanks his bottom with a flyswatter. There’s a bit with a glove, then you see him bending over holding the Max Headrrom mask in front of him with the rubber penis stuck through its mouth. He also presents his middle finger to the camera, over which he is wearing a rubber penis.
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But he does repeat New Coke’s advertising slogan ‘catch the wave’ whilst holding a can of Pepsi. It’s rather difficult to make out what he’s saying, as the audio isn’t great. Also, no engineers were available to switch the broadcast frequency. Later the evening another channel, WTTW, a public broadcast service channel, were showing an episode of Doctor Who, when they too were interrupted by Max Headroom. The bewildered sports reporter came back with the words “Well, if you’re wondering what happened…so am I”
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The engineers at the station managed to change the frequency of their broadcast link to the transmitter and cut out the spurious broadcast. It was accompanied by a buzzing sound, but there was no voice. He was jumping around in front of a sheet of corrugated metal, which was being shifted about to imitate the background on Max Headroom’s show. This was followed by thirty seconds of a man wearing a Max Headroom mask and sunglasses. People watching the nine o’clock news on WGN-TV and enjoying the highlights from that afternoon’s football game were suddenly faced with a blank screen. The other thing you need to know about Max is that he was, at that time, the advertising face of ‘New Coke.’ If you want to see the real Max Headroom, here he is with The Art of Noise.īut back to November 22nd 1987. The last thing he saw before the accident was a sign in the parking lot specifying the vehicle clearance height, ‘max headroom 2.3m’. He was uploaded from the memories of a rogue journalist called Edison Carter who was in a coma following a motorcycle accident whilst fleeing from his superiors. Max existed in a dystopian future dominated by television and large corporations. Max’s voice was digitally altered, would vary in pitch and sometimes get stuck in a loop. So it was actually a man called Matt Frewer, wearing heavy prosthetics and a shiny suit made from fibreglass. He was presented as a sort of CGI character, but before it was possible to create a convincing computer generated human.
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On this day in 1987, in Chicago, a person dressed as a character called Max Headroom suddenly appeared on people’s screens in the middle of a television broadcast.įor anyone who doesn’t know, Max Headroom was a popular character of mid-eighties television, first produced for Channel 4 in the UK but who also appeared on US television. Today I want to tell you about something that is known as the Max Headroom broadcast signal intrusion.